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Annales islamologiques 53
2020 IFAO
gratuit - free of charge
Nicolas Puig
Recording Culture. Une figure égyptienne du XXe siècle : Halim El-Dabh, compositeur, collecteur et pionnier des musiques électroniques
Halim el-Dabh (1921-2017) is a collector of “traditional” music and a pioneer of electronic music. He is currently being rediscovered by a new generation of Egyptian musicians who see him as a national precursor. In 1944, El-Dabh composed one of the earliest electronic compositions in history, based on selected and transformed sounds from his own recordings, made in his hometown of Cairo. Such works, and the career of this eclectic musician, both a composer and an academic, shed new light on the production and restitution of anthropological knowledge, which is not so much developed from the act of “writing cultures” as from that of recording and restoring them in different forms, including artistic ones. This text focuses on Halim El-Dabh’s youth in order to retrace his path in a technological and cultural moment of Egypt’s history, while relating it to more global dynamics. Like other 20th century figures, Halim El-Dabh developed new ways of linking collection, research and creation. The practices and itineraries of these figures question the colonial and neo-colonial dynamics of collecting, preserving and restoring music and, more broadly, the production of knowledge.
- Nicolas Puig ( : 060410310)
Anthropologue à l’IRD, URMIS (Université Paris Diderot, Université Côte d’Azur, IRD, CNRS)