Verre byzantin et islamiqueByzantine and Islamic Glass
Maria Mossakowska-Gaubert
SHINDO, Yoko
Islamic Lustre-Stained Glass from Raya between the Ninth and Tenth Centuries
Annales du 16e Congrès de l'Association Internationale pour l'Histoire du Verre (London 2003)
AIHV, Nottingham, 2005, p. 174-177
[801, 1000]
• Port city of Rāya (fort, urban settlement):
– examples of glass objects:
- brown-staind group painted with copper and silver (165 pieces of a brownish-monochrome type, 10 pieces of two-coloured type).
- orange-staind group painted only with copper (7 pieces of a monochrome type, 24 pieces of a polychrome type).
- main motifs: arabesque, plant, geometric figures, script. Rare designs of animals (gazelle) and fish.
- fragment of inscription (ʿamal - “manufactured by”).
• Monastery of Wādī al-Ṭūr:
– The artefacts are similar, showing their close relationship to Rāya glass material (especially lustre-stained glass).
– examples of glass objects:
- brown-staind group painted with copper and silver (165 pieces of a brownish-monochrome type, 10 pieces of two-coloured type).
- orange-staind group painted only with copper (7 pieces of a monochrome type, 24 pieces of a polychrome type).
- main motifs: arabesque, plant, geometric figures, script. Rare designs of animals (gazelle) and fish.
- fragment of inscription (ʿamal - “manufactured by”).
• Monastery of Wādī al-Ṭūr:
– The artefacts are similar, showing their close relationship to Rāya glass material (especially lustre-stained glass).
Version 5, données dudata date 30 janvier 2013January 30th 2013