Catalogue des publications
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Fichiers à télécharger
Les articles des volumes suivants sont vendus sous forme de PDF à télécharger: BiEtud: numéros 110, 120, 138, 140, 165 (gratuit), EtudUrb: 9.
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
20 p.
gratuit - free of charge
Cédric Meurice, Yann Tristant
Jean Clédat et le site de Béda: données nouvelles sur une découverte protodynastique dans le Sinaï septentrional.
In 1910 during agricultural work east of the Suez Canal and some 50 km north-east of modern Ismailiya, Beda pots dating to the Early Dynastic Period were discovered. A study of Jean Clédat’s notes now preserved in the Louvre museum makes a new report on the finds possible. Considering the research carried out by Jean Clédat in the Suez area at the beginning of the XXth century, substantial information has been obtained on the location and the archaeological context of this exceptional discovery. This paper concerning the Beda pots and their incised serekhs constitutes a new contribution to our understanding of the Nile Delta region and its role in the contacts between Egypt and the Levant during the Early Dynastic period.
- Cédric Meurice ( : 074662910)
- Yann Tristant ( : 083160116)
Yann Tristant est professeur associé à la Macquarie University (Sydney, Australie). Archéologue et protohistorien, il s’intéresse à la période pré- et protodynastique en Égypte et aux relations entre l’homme et son environnement dans le cadre nilotique. Chef de chantier pour l’Ifao à Abou Rawach et dans le Ouadi Araba, ses recherches se portent aussi sur la géoarchéologie du Delta du Nil et de la région de Dendara en Haute-Égypte.
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
68 p.
gratuit - free of charge
Florence Mauric-Barberio
Reconstitution du décor de la tombe de Ramsès III (partie inférieure) d’après les manuscrits de Robert Hay.
Rediscovered by James Bruce at the end of the XVIIIth century, the tomb of Ramesses III (KV 11) is one of the most famous and important monuments in the Valley of the Kings. Well known for the design and decoration of the upper part, the tomb is less known for its lower part, which is in very bad condition today. This lower part was still preserved in the XIXth century, but among the travellers and scholars who visited the tomb at that time, very few made descriptions or drawings of the decorations in the lower part. Until now the only two sources of our knowledge were the Notices descriptives of J.-Fr. Champollion and the Notices des hypogées royaux of E. Lefébure; however the unpublished manuscripts of Robert Hay kept in the British Library provide a third source. These important manuscripts contain some folios devoted to the tomb of Ramesses III, which provide crucial information about the decoration now lost. The aim of this paper is to publish this material, which consists of eight pages of hand-written notes (including sketches) and two views of the sarcophagus chamber executed with the help of the camera lucida. After an introduction of Robert Hay and a discussion of his work in Egypt (Part 1), the author gives the transcription of the English text (Part 2) and try to reconstruct the lower part of the decorative programme of KV 11, from the descent to corridor S to the last room Z (Part 3). For the reconstruction, the author collects the information in all three sources (which complement each other well) and take into account, as much as possible, the traces of decoration which remain extant on the walls.
- Florence Mauric-Barberio ( : 19018728X)
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
12 p.
gratuit - free of charge
Bernard Mathieu
Une formation de noms d’animaux (ABCC) en égyptien ancien.
It is well known that the ancient Egyptian lexicon shows structural patterns very close to those of Semitic languages, at least as much as derivation processes (prefixation, suffixation, -reduplication) are concerned. A specific type of reduplication (ABCC) has been used in Egyptian to build a significant number of animal names, as pȝgg.t, frog, ḥfrr, tadpole, ḥdqq.w, rats, or ḫprr, beetle. Gathering about thirty attestations of this specific pattern, which conveys a diminutive / pejorative meaning, we can get arguments to rebuild the vocalic structure as AaBCáC-aw (masc.), AaBCáC.at (fem.). For this Egyptian pattern, the Accadian ’dmm, wasp, or kulbābu, ant, offer convincing Semitic counterparts.
- Bernard Mathieu ( : 030609607)
Agrégé de lettres classiques, égyptologue, Bernard Mathieu est professeur à l’Université Paul Valéry - Montpellier 3 et ancien directeur de l’Institut français d’archéologie orientale du Caire. Membre de la Mission archéologique franco-suisse de Saqqâra, Bernard Mathieu travaille principalement sur la langue et la littérature de l’Égypte pharaonique, de l’Ancien Empire à la fin du Nouvel Empire, ainsi que sur l’édition, la traduction et le commentaire des Textes des Pyramides. Sa thèse portait sur La poésie amoureuse de l’Égypte ancienne.
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
18 p.
gratuit - free of charge
Les colophons dans la littérature égyptienne.
The colophons in Egyptian literature are found from the XIIth dynasty to the Roman Period. Most of the time, we find them in literary texts, Books of the Dead, and late ritual texts. The use of colophons varies according to the period and the nature of the text. This article offers an explanation for the expression ỉw.f pw and its variants, which are found at the end of various manuscripts, and tracks the evolution of this expression.
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
31 p.
gratuit - free of charge
Françoise Labrique
Le catalogue divin de ‘Ayn al-Mouftella : jeux de miroir autour de «celui qui est dans ce temple».
The epigraphic survey carried out in April 2004 by the Ifao team in the Saite Chapel nū 1 (nomenclature of Fakhry) of ʿAyn al-Muftella in the Baḥariya Oasis allowed us to identify a large number of divine figures on the first register of the walls. This article proposes an initial interpretation of the links between the divine groups, which have been almost completely identified.
- Françoise Labrique ( : 033882231)
Égyptologue, professeur de l’université de Cologne et de l’université libre de Bruxelles, co-directrice du projet Kom Ombo.
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
36 p.
gratuit - free of charge
Yvan Koenig
Le papyrus de Moutemheb.
The magical papyrus Louvre E 32308 comes from Deir al-Medīna and belongs to a group of amulets which, once folded, were hung around the neck of the patient. It can be differentiated from others with texts of the same kind by the great number of drawings that surround the text. It also contains several sequences similar to those found in P. Turin 1996. These sequences are not true parallels, but variations that can only be explained as personal choices on the part of the scribe, choices that were sometimes based on graphic or phonetic variations.
- Yvan Koenig ( : 026951762)
Né en 1947, Yvan Koenig a étudié à la Sorbonne et à l’EPHE. Membre scientifique de l’IFAO, il a été chargé de recherches au CNRS, chargé conférences à l’EPHE IVe section puis chargé d’enseignement à l’Institut Catholique. Spécialiste de l’écriture cursive (hiératique), il s’est progressivement spécialisé dans l’étude et la publication de textes magiques pharaoniques.
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
45 p.
gratuit - free of charge
Ivan Guermeur
Le groupe familial de Pachéryentaisouy. Caire JE 36576.
The present article consists of the publication of a statuary group discovered by G. Legrain at Karnak in 1904. The monument, dating from the end of the IVth or the beginning of the IIId century BC, now preserved in the Cairo Museum (JE 36576), belongs to an Amun priest from XoĪs: -Pacheryentaisouy.
His son, Achakhet, who presented it, covered it with texts: in addition to the traditional -appeals for priests and autobiographical compositions, he had it engraved with an hymn to Amun and very originals texts, whose funerary character is manifest. These texts, very uncommon on this kind of monument sited in a temple and not in a tomb, have no exact parallels. They took their inspiration from contemporary compositions like Glorifications, Book of Going on for Eternity, Book for Breathing, Embalming Ritual, etc.- Ivan Guermeur ( : 075706121)
Ivan Guermeur, égyptologue, ancien membre scientifique de l’Ifao, ancien chargé de recherche au CNRS, est depuis 2018 directeur d'études à l'École pratique des hautes études, Section des Sciences religieuses, et titulaire de la Chaire « Religion égyptienne en Égypte hellénistique et romaine ». Il est membre du laboratoire Archéologie, Philologie et Histoire d'Orient et d'Occident, AOrOc, UMR 8546 (CNRS, École Normale Supérieure, EPHE, PSL).
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
15 p.
gratuit - free of charge
Marc Gabolde
Tenttepihou, une dame d’Atfih, épouse morganatique du futur Thoutmosis IV.
Two well known Shabtis in Marseille (Vieille-Charité n° 365 and n° 366), formerly attributed to an otherwise unknown queen Tenthapi, belong in fact to a royal acquaintance called Tenttepihu. This shadowy woman was probably a morganatic spouse of Thutmosis IV before his accession to the throne. The new reading of the name and titles allows to suggest that Tenttepihu was born in the vicinity of modern Atfih and that she was the mother of a prince called Pentepihu.
- Marc Gabolde ( : 029488044)
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
14 p.
gratuit - free of charge
Hanane Gaber
L’orientation des défunts dans les «caveaux-sarcophages» à Deir al-Médîna.
This research aims to identify in Deir al-Medina burial-chambers decorative and archaeological elements which mark coffin positions. In this paper, a little group of Deir al-Medina burial-chambers is examined, in which many iconographic and textual subjects imitate those present on sarcophagi. The location of these decorative themes studied in the sepulchres, as well as other archaeological data, enables us to suggest the orientation of the dead in burial chambers, which imitated the decoration of sarcophagi.
- Hanane Gaber ( : 123104955)
Hanane Gaber est docteur en Sciences de l’Antiquité de l’Université Strasbourg 2. Elle a dirigé le Bureau de l’enregistrement du Musée Égyptien du Caire. Elle a bénéficié d’une bourse Marie Curie de l'Union Européenne auprès de l’Université de Cologne (2009-2012). Elle a été Maître de conférences associée au Collège de France (2013-2015) et Ingénieur de recherche à l’Université Paul-Valéry Montpellier 3 (LabEx ARCHIMEDE, 2017-2018). Elle est actuellement chercheur associée au Collège de France et membre associée à l’UMR 5140, Université Paul-Valéry, Montpellier 3.
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Bulletin de l’Institut français d’archéologie orientale 104
2004 IFAO
7 p.
gratuit - free of charge
Khaled El-Enany
Le «dieu» nubien Sésostris III.
This article provides evidence for the veneration of Sesostris III in Nubia after his death. The documents gathered herein are classified in geographical order: South to North, from Gebel Docha to Amada. During the New Kingdom – especially the second half of the XVIIIth dynasty – Sesostris III was considered a true local Nubian God: chapels and temples were dedicated to him, he is shown giving life to New Kingdom Pharaohs, his speech is preceded by ḏd-mdw jn like other divinities, etc. While the veneration of Sesostris III is attested to by evidence found in thirteen Nubian sites, Semna, Kumma, and Ouronarti seem to be the most important centers for his cult in Nubia.
- Khaled El-Enany ( : 79118437)
Former Minister of Tourism & Antiquities, Egypt Ph.D. Montpellier Chevalier Arts & Lettres, France Order of Merit, Poland Order of Rising Sun, Japan